Full Script provided by Marvel.com:

Page one
Panel one
Straight on--On a hotel worker in the obligatory over sized butt ugly solid colored blazer. It's a black guy, 20's, average looking. He has a confused look on his face, one eyebrow raised. He holds up six fingers, one whole hand and a single digit from his other hand. He's asking " Six?"
Panel two
Again, straight on--We're on Morph, but it ain't Morph. He's got himself morphed up as a beautiful girl. Put her in clothes that would be distracting. She's leaning across the counter towards the hotel guy. She's extending a credit card. It's one of the credit cards from issue one--" NISA" in the style of a VISA card.
She is grinning broadly. Flirting.
Panel three
On the hotel guy handing her six key cards, completely distracted by this gorgeous girl in front of him. She's grinning madly still.
Panel four
On her back and backside as she saunters away from the desk towards the elevators. She carries a make-up case/overnight bag.
Page five
Back on the hotel guy at the desk. He has his head cocked to one side as he is staring at her butt. He has a passive look on his face.

Page two
Panel one
CU on Morph-girl's butt.
Panel two
On hotel guy, same shot as Panel five from page one, but he's grinning in this one. Next to him is a young pretty Asian woman who is also a hotel worker in an ugly blazer. Her arms are folded across her chest and she looks pissed. I'm trying to convey that these two are maybe an item and he got caught looking' at another lady's can.
Panel three
On The hotel guy suddenly looking through papers in front of him but sheepishly looking out of the corner of his eye. Woman is still standing with her arms crossed in front of her, obviously upset.
Panel four
On Morph's legs( still the tart ) as he/she exits the elevator.
Panel Five
Close on Morph, talking into the headset that is now protruding from his ear. He looks out of the corner of his eyes as he does it.
Panel five
On Morph, melding out of the Chick and becoming Morph.

Page Three
Panel one
On The team Blinking into the hallway. They are all in costume. They should look really tired. Limp.
Panel two
Morph is a bell hop and extends the hotel keys fanned out like playing cards.
Panel 3-8
Small panels on each of their hands slipping keys into the locks. You can mix this up a little Mike if it bores you.
Panel nine
Blink is in her room yawning and stretching her arms up-- the " Oh, I'm so tired look"
Panel ten
Morph is watching television an inch from the screen. He's in pajamas with bunnies on them and a sleep cap on his head.
Panel eleven
On Nocturne in the shower.. Keep it clean!
Panel twelve
Mimic, in boxers, in getting into bed.

Page four
Panel one
On Thunderbird laying flat on his back on the bed. His arms and legs are laying out like he was making a snow angle. His hands rest palms up. Mike, what I'm looking for is that T-bird is like a machine that's been shut off. He lays down and pop, he's asleep. No fetal position no getting comfortable.
If you can manage it, make it look like he's pushed two king size beds together. He lays without covers on him. He doesn't get cold.
Panel two
Tight on t-bird sleeping face
Panel three
CU on T-bird as a man. BEFORE he was made intoWAR. He has no mask, no feathers or crap in his hair. Make his hair shoulder length. Blowing in the wind. His idealized vision of himself. He smiles
Panel four
Pull back to show T-bird, full body shot. He is wearing only buckskin shorts(practically briefs) and buck skin boots. Calf-high.
He looks magnificent. The greatest looking man who has ever walked the Earth.
He's in a lush forest.
Panel five
On T-bird leaping like a hurdler over shrubbery.
Panel six
On T-bird Diving off a cliff

Page five
Panel one
On T-bird landing in water below
Panel two
T-Bird breaking the surface of the water, throwing his hair back.
Panel three
On T-bird exiting the water into a parking lot of a super market.
Make it look like the blacktop of the parking lot is like a beach.
Panel four
On a wet T-bird grabbing a grocery store basket inside the store. He should be wearing just Blue jeans now.
Lotsa shoppers mingle about.
Panel five
T-bird now wears civilian clothes. Leather Jacket, T-shirt, jeans, boots. He holds a peach next to his nose and smells it. He's in the produce section in front off a pile of peaches.

Page six
Panel one
On T-bird, still in his civvies, holding his grocery bag under one arm and eating an ice cream cone with the other. He's exiting an ice cream shop.
Panel two
T-bird sits on a park bench eating his ice cream cone, his groceries sit next to him.
Kids play around him.
Panel three
CU on T-bird eating Ice cream and smiling.
Panel four
On the REAL T-bird. Sleeping and smiling.
Panel five
On a Sleeping Sun fire.
She's in a half shirt with a gorilla on it. If it fits.
Panel six
CU on Sunfire's sleeping face.

Page seven
Panel one
On a little girl. Sunfire. Maybe eight years old. She is in a Japanese school girl outfit. She is sitting very primly. Very stiff--at a school desk. She writes in a tablet. Just her in this shot.
Panel two
On a full classroom of Japanese school children all working at their desks. Sunfire is in the middle and most prominent. Standing right behind her desk are her parents. This should look weird. They stand stiffly and without emotion. Her Father is in a business suit. Her mother is in a ladies business suit. They wear the same outfits through this whole sequence.
Panel three
Sunfire is twelve, on stage and playing piano in a recital. Her parents stand behind her.
Mike, I don't know if you can get all the info in one panel maybe split it in two. First show her playing the piano and we look at her and out on the audience--then reverse the angle in the next panel so we are looking at her playing on stage with her parents looking over her.
Panel four
Sunfire is in her very prim and proper bedroom. She is sixteen. She is studying at her book covered desk. Her parents stand behind her. It's dark and lit only by the lamp on her desk.
Panel five
On Sunfire leaping up from the her desk in anger. The desk rocks forward. He parents don't move.

Page eight
Panel one
On Sunfire " flaming on ". Her clothes fry away, so put her in a bikini type deal
Panel two
On Sunfire blasting out of the roof of her house and flying into the air
Panel three
On Sunfire flying through the blue sky. Grinning happily.
Panel four
Downshot of Sunfire flying towards a very stereotypical, even cartoony map, of the United States, she is now in her Sunfire costume.
Panel five
On her flying through Times square. People are happy, and waving at her, holding shopping bags. It looks alive and bustling.
IT'S AMERICA!

Page nine
Panel one
On Sunfire at a rave. She is dressed in hot pants and a tiny baby T-shirt. She dances with a similarly dressed boy and girl.
Panel two
CU on her happy face
Panel three
Cu on her parents disapproving faces
Panel four
Pull back to show them standing behind her, Sunfire notices them
Panel Five
CU on he face. She looks ashamed.
Panel six
Cu On her parents disapproving faces again.

Page ten
Panel one
Pull back to show everyone dancing, except Sunfire who stands with her head down in front of her parents.
Panel two
On a sleeping Mimic
Panel three
FUN TIME-- Draw this real goofy. VERY cartoony and over the top--
****COLOR NOTE*** Make the color's especially bright, lotsa solids and plaids.
This whole dream sequence that mimic is dreaming that he and Blink has set up house together and have a little family, Very 50's America.
Interior of a suburban house. Mimic is in a business suit. He's hanging up his trench coat and hat on a hat rack that is just inside the door of the foyer . The front door is still open to imply that he just"got home". A brief case sits next to his leg. Mimic still has his Goatee but his hairstyle is more conservative.
Panel three
Two kids come running at him, they are five years old, one boy, one girl. We see their backs, one of the kids has wings. Mimic is crouched to hug them/ greet them , his arms thrown open wide!! He's got a screaming grin on his face! Everybody is over the top happy, happy, happy!
Panel four
On Mimic and the kids.
They look like a combination of him and Blink. Slightly pointy ears, blond like dad, but pupiless eyes and their skin is a slightly different shade then their mother's. They also have her facial tattoos.

Page eleven
Panel one
On Blink standing in the doorway looking like a perfect 50's Americana wife. Plaid calf length dress, apron, hair done up in some boring way. She holds a tray with a martini on it.
Panel two
Mimic is kissing Blink on the side of her face as he takes the martini. The kids beam up at their parents. Mimic is now dress in a plaid sweater vest and a button down shirt.
Panel three
The kids on a couch with TV trays in front of them and mimic is sitting in a big chair with a TV tray in front of him. Blink is putting a TV dinner on Mimic's tray. The kids already have theirs.
Panel Four
Mimic has a pipe in his mouth and Blink sits on his lap, giving him a little squeeze.
In background, one of the kids has popped a Wolverine claw from his hand and has skewered a bunch of food.
Panel five
The panel is heart shaped and Mimic and Blink are kissing. They are both at profile and their lips are pursed.

Page twelve
Panel one
On Mimic waking up with a shock, and sitting up in bed.
Panel two
Closer on mimic. Still a little shocked and wide eyed, he rubs the back of his head with a
" what the hell was that?!" expression on his face.
Panel three
On Morph sleeping. He's under the covers and has not visibly "turned" into anything
Whatever skin is showing is white and nude. My thought is when Morph is in deep sleep, he loses form and is just a blank slate.
Panel Four
Morph is on stage tap dancing and juggling. He wears a vaudevillian's outfit of Straw hat and striped jacket. He's grinning widely!
Panel five
The audience in on it's feet--applauding like crazy.
Panel six
Morph is leaving through a backstage exit. He's wearing sunglasses and a long coat and a scarf around his neck. He's being mobbed by fans. Bodyguards hold them back, Morph is signing a few autographs.

Page Thirteen
Panel One
Morph is a guest talking to David Letterman
Panel two
Morph is accepting an Oscar. He's reaching for it as some buxom actress gives it to him.
Panel three
Exact same shot, but everything has disappeared. EVERYTHING. No backgrounds--nothing.
Morph is completely unclothed but his body looks weird. No definition. Bulbous and without shape--no naughty bits.
Panel four
Morph spins around and sees no one. He looks panicked. Everything is still blank except Morph standing there.
Panel five
Morph screams.
Panel six.
Pull back and Morph screams some more.

Page fourteen
***** we are going to show a love scene between Nocturne and James Proudstar ( Warpath).****
Panel one
On Nocturne sleeping
Panel two
Nocturne's face and her shoulders. James Proudstar's hand is on her shoulder.
Panel three
Nocturne, in her Mystique like costume from the first issue, has turned and we are facing Warpath. (Mike, it may be impossible without dialogue to make the folks understand that this is T-bird's younger brother, but we'll give it a shot. Make him smaller, younger, happier...different.)
He should be in a Warpath type costume, maybe the most recent costume (Mike: the X-Force costume from Whilce Portacio's recent Counter-X run) to avoid the confusion to T-bird. He should be wearing the LEAST T-bird looking costume, I guess.
Panel four
They kiss passionately
Panel five
Warpath is pulling Nocturne's shirt off over her head—keep it PG!

Page fifteen
Panel one
They kiss some more and Warpath shucks off his shirt.
Panel two
A path of clothing lines the way to the bed where the pair of them are intertwined. The room should look DRASTICALLY different from the hotel room she sleeps are in. I'd say make it a FANCY hotel room. Four post bed, long curtains, etc...We don't want people to think this is really happening.
Panel three
On them kissing some more in bed.
Panel four
On warpath kissing her neck
Panel five
Cu on Nocturne smiling with pleasure
Panel six
MORE pleasure.

Page Sixteen
Panel one
CU Nocturne who has stopped the pleasure looks and is just staring up. Some thing has surprised her.
Panel two
Thunderbird, OUR T-bird in his current WAR visage, is staring down at her. They have actually been the ones hooking up. He looks passive.
Panel Three
Nocturne is passive as well.
Panel four
Same shot, Nocturne smiles REAL wide. A seductive smile.
Panel five
Nocturne kisses Thunderbird.
Panel six
Downshot ofthem in being intimate. (Mike: be tasteful and discreet!).

Page seventeen
Panel one
On Blink sleeping. She's tight lipped. She's in the middle of a nightmare.
Panel two
On a little girl Blink, Five years old. Cute.
Torn dress, Crying, running for her life.
She is back in the Age of Apocalypse and sprinting over the jagged terrain.
Panel three
CU on her --she looks over her shoulder.
Panel four
Sinister (from AoA) is pursuing her. If you like, he can be an even MORE exaggerated version that he already is. Creepy, learing, evil, a mess.
Panel five
Blink leaps over a cliff to avoid him. BIG cliff, BUTCH AND SUNDANCE big

Page eighteen
Panel one
On Blink crashing to the jagged ground.
Panel two
Blink lifts her cut and bloodied head up to look at what's in front of her.
Panel three
We see the other Exiles. They all should be in costume so we can recognize them, but they look like they stepped out of concentration camps. They are bone thin and covered with sores.
Panel four
They crawl towards Blink, who is terrified by extends a quaking hand towards them
Panel five
Mimics head is in her lap. She cries as she strokes his stringy hair. He is drooling and crying.

Page nineteen
Panel one
On Sinister standing over them howling in glee.
Blink is cowering back, The Exiles don't seem to move.
Panel two
Blink has Nocturne and Morph by the wrists as she's running them along, pulling them to flee, the others limp behind.
Panel three
Sinister leaps on top of the weakened Sunfire. Blood spurts from her mouth as he lands on her.
Panel four
CU on Blink Screaming
Panel five
On Sinister. Sinister has Mimic in one hand, he swings him above his head by Mimic's leg. His other hand is killing T-bird. Sinister is hammering T-bird's head completely into his torso.

Page twenty
Panel one
On Blink sitting in the middle of the Exiles dead bodies. She is limp and crying.
Panel two
Sinister grabs her up from the ground.
Panel three
CU on Sinister, laughing and drooling
Panel four
CU On Blink Writhing, crying, shrieking. Make her expression bad.
Panel five
ECU on Sinister -- Screaming and laughing.
Panel six
ECU on little Blink, screaming with everything she has.

Page twenty-one
Panel one
On Blink Bolting up in bed screaming.
Panel two
Same shot, she stops and realizes where she is.
Panel three
She sobs. She cries.
Panel four
Mimic asleep in his bed. The angle should allow us to see blink BLINK into the room in the next panel.
Panel five
Same shot, but Blink BLINKS into his room.
Panel six
On Mimic startled up to a sitting position.

Page twenty-two
Panel one
On Mimic, head tilted to the side like he's asking "What's wrong?"
Panel two
On Blink, who stand stock still
Panel three
CU Mimic with a sympathetic look on his face
Panel Four
On Mimic, bursting into tears
Panel five
Blink is in Mimic's arms, she cries. He strokes he hair.
Panel six
Downshot, same panel.